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Hirokazu Kore-eda
Meeting his son at the end of two divergent paths, a father pats his son’s head
Hirokazu Kore-eda
Through a wooden frame of a Japanese house, four sisters are seen cheerfully lighting sparklers in the backyard
Screenshot of the attorney and the accused killer having a conversation in the prison visiting room.
Hirokazu Kore-eda
The accused killer’s reflection is superimposed on the attorney’s face, and the attorney and the accused killer are on the same side of the glass.
Hirokazu Kore-eda (Director)
The oldest son plays happily on the playground, forgetting all his worries.
Four children back facing the camera, looking at the Tokyo buildings behind a fence with two dashed parent-figures.
Hirokazu Kore-eda (Director)
Three screenshots of the bridge that connects the past with the present, showing characters' inward feelings when interactions with it.
Diego Quemada-Diez (Director).
Immigrant finally makes it to the United States.
Irony is depicted in this screenshot as the American flag hangs in the background of the shot but the young Latin American boy is shielded from the…
Jim & Carolyn Hunt
North Carolina Children return to school after summer vacation.
Happiness fills the air as young children are welcomed back to the classroom by their teachers for their first day.
Aaron Schock (Director).
Playing in the rainforest with just each other, the two boys appear content.
Rebecca Cammisa (Director).
Obviously mentally and physically drained, the boys rest on top of the train for a quick reprieve.