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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Count Demetrius de Palatiano in Suliot Costume</text>
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                <text>French philhellenism</text>
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                <text>Imitator of Eugène Delacroix</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>The Cleveland Museum of Art</text>
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                <text>19th century</text>
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                <text>Painting</text>
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                <text>This painting shows Count Demetrius de Palatiano, a noble from Corfu, Greece, facing the viewer and dressed in the colorful, finely embroidered garb of a Suliot. He stands in front of a forest, with two indistinct figures standing in the distance. </text>
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              <text>Marble Bust</text>
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            <description>A name given to the resource</description>
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                <text>Bust of Demetrios Ypsilantis</text>
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                <text>Demetrios Ypsilantis</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Christopher Nastos</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Ypsilanti Water Tower</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1928</text>
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                <text>Marble Bust</text>
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            <description>The nature or genre of the resource</description>
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                <text>Sculpture</text>
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            <description>An account of the resource</description>
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                <text>This image shows a white marble bust of Demetrios Ypsilantis. He is wearing the formal uniform of an early 19th-century general, complete with a sash, epaulettes, and a high collar. Demetrios sports a mustache as well, and his head is tilted so that he appears to be looking towards the right from the perspective of the viewer. Demetrios Ypsilantis was a prominent figure in the Greek War of Independence, but he arguably gained even more fame in the United States, where he was also revered as a hero by many. The town of Ypsilanti, Michigan, where this bust is located, is also named in honor of the Greek general. </text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Historical Map</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Epoca Fanariota</text>
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                <text>Danubian Principalities </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Unknown</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>GeoPortOst</text>
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                <text>1920</text>
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                <text>Historical Map</text>
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            <description>A language of the resource</description>
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                <text>Romanian</text>
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                <text>The above map, labeled in Romanian, shows the Danubian Principalities. It should be noted that this map depicts borders that were in place before 1821, but most are very similar to those that would be found at the start of the Greek War of Independence. The principalities are surrounded by a green border, while the Ottoman Empire is surrounded by a light red border to the south and east. Bordered in yellow is Hungary, which at the time was a part of the Austrian Empire. The Phanariots, who controlled the Danubian Principalities, were a wealthy and elite group of Greeks from Constantinople, the capital of the Ottoman Empire. These Greeks were vital to the Ottoman government, and often served as rulers in the Danubian Principalities in the Sultan’s stead. </text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Atlas Map</text>
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          <description>The actual physical size of the original image.</description>
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              <text>63cm x 54cm</text>
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        <name>Dublin Core</name>
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            <description>A name given to the resource</description>
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                <text>The Ionian Islands and Malta</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>John Arrowsmith</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>David Rumsey Historical Map Collection</text>
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            <name>Date</name>
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                <text>1844</text>
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                <text>Atlas Map</text>
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            <name>Description</name>
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                <text>The map above shows the British possessions in the Mediterranean during the time of the Greek War of Independence. On the left is the Maltese Islands, while on the right is the Ionian Islands, which hug the western coastline of the Greek mainland. From north to south, the major islands islands are Corfu (Greek: Κέρκυρα), Paxo(s) (Greek: Παξοί), Lefkas/Santa Maura (Greek: Λευκάδα), Ithaca (Greek: Ιθάκη), Cephalonia (Greek: Κεφαλονιά), and Zante (Greek: Ζάκυνθος). The last Island of Cerigo (Greek: Κύθηρα) is located in the top right corner of the map. The British gained the Ionian Islands after the Napoleonic Wars, and they were a point of contention during the Greek War of Independence as the English administration on the islands heavily discouraged local Greeks from joining the sepratist movement in the Morea.</text>
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              <text>Oil Painting</text>
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              <text>406 mm x 521 mm</text>
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        <name>Dublin Core</name>
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                <text>The Battle of Navarino</text>
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                <text>Navarino</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Thomas Luny</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Royal Museums Greenwich, London</text>
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                <text>1828</text>
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                <text>Oil Painting</text>
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                <text>The above painting shows two British sailing ships engaging one Turkish and one Egyptian ship. The Turkish and Egyptian vessels on the left and right bear a red flag with a white crescent, while the English ships in the center have white flags with a blue and red cross, respectively. More ships can be seen in the background. Smoke and fire billow from the Turkish ship on the left. In the foreground, there are sailors clinging to remains of a presumably sunken vessel. This painting bucks the trend of heroic and romantic art of the early 19th-century and portrays a horrifying and chaotic battle scene. The battle of Navarino resulted from the decision of Britain, Russia, and France to end the Greek war by fighting against the Ottoman Empire. The battle was a resounding success for the pro-Greek alliance, and it saved the fledgling Greek state from collapse. &#13;
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      <name>Still Image</name>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Oil Painting</text>
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              <text> 419 cm × 354 cm</text>
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        <name>Dublin Core</name>
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            <description>A name given to the resource</description>
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                <text>Scènes des massacres de Scio</text>
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            <name>Subject</name>
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                <text>Chios</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Eugène Delacroix</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Musée du Louvre, Paris</text>
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                <text>1824</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Oil Painting</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Painting</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="152501">
                <text>This painting depicts a dramatized version of the Ottoman sack of the Greek island of Chios. Greek men, women, and children lie emaciated and destitute, while the landscape burns in the distance and a Turkish soldier riding a horse carries away captives. This painting by Eugène Delacroix, with its moving imagery of desperate Greeks being brutalized by the Ottomans, would help to sway public opinion in much of Europe and North America in favor of the Greek cause.  </text>
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        <src>https://apps.lib.umich.edu/online-exhibits/files/original/6685fc991957e2d79c94b1188fe4db46.jpg</src>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Textile</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
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              <text>H. 115 3/4 in, W. 85 1/2 in</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Banner</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Turkish Zulfiqar Cavalry Banner</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Unknown Artist </text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>The Metropolitan Museum of Art, New York </text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1819-1820</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text> Silk banner with metal-wrapped thread</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="152381">
                <text> Silk banner with metal-wrapped thread</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This banner from Constantinople is red with a gold border, as well as gold calligraphy on its surface. It is made out of silk, and looks thin and loose. One of the designs depicts Zulfiqar, the legendary split-tipped sword of Ali Ibn Abi Talib (Arabic: عَلِيّ ٱبْن أَبِي طَالِب), a companion to Muhammad. These Zulfiqar flags were standards used by the Ottomans during the Greek War of Independence, and are often attributed to Janissaries and Cavalry. Given the timeframe of the creation of this particular banner, it is not unlikely that it could have been used during the war against the Greeks. </text>
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        <src>https://apps.lib.umich.edu/online-exhibits/files/original/b86371e31f1472d522246d9afdbabbde.jpg</src>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="152387">
              <text>Engraving</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
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              <text> 115 x 106 mm</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Mahmud II</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Mahmud II</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="152357">
                <text>Meno Haas</text>
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            </elementTextContainer>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="152359">
                <text>Statens Museum for Kunst, Copenhagen</text>
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            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="152361">
                <text>1829</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="152363">
                <text>Engraving</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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                <text>Danish</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="152367">
                <text>Engraving</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="152497">
                <text>This image shows a small black and white shoulder-up engraving of the Ottoman Sultan Mahmud II. He is bearded, mustachioed, and wearing an elaborate turban and headdress as well as a rich, fur-lined coat. The captions below the image reads in Danish, “Mahmud II - Ottoman Emperor”. Mahmud II, the Sultan of the Ottoman Empire from 1808 to 1839, was known to be a savvy ruler who at times used ruthless tactics to secure power and legitimacy. He oversaw the empire during the Greek War of Independence, which he thought was sparked by Alexander I of  Russia, who he saw as a major threat. Mahmud is also notable for attempting to westernize the Ottoman Empire as well as for killing off the Janissary corps and establishing a European-style army. </text>
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  <item itemId="9444" public="1" featured="0">
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        <src>https://apps.lib.umich.edu/online-exhibits/files/original/a5444f9c6d80a944fc4affa461d1ade7.jpg</src>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="152324">
                <text>The Prince of Moldavia, Michael Soutzos</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Michael Soutzos</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="152328">
                <text>Louis Dupré</text>
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            </elementTextContainer>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="152330">
                <text>Louis Dupré, “Voyage a Athenes et a Constantinople, ou collection des portraits, de vues et costumes grecs et ottomans.”</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1825</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Colored lithograph</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Book</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This is a colored lithograph of Michael Soutzos (Greek: Μιχαήλ Σούτζος), the Greek ruler of the Danubian Principality of Moldavia from 1819 until 1821. Soutzos, a white man with a large, black beard, is depicted wearing lavish robes in the Ottoman style, lounging on a divan in front of a scene of the countryside, and resting his feet on a leopard skin - all indications of his high status as a Phanariot in the Turkish hierarchy.</text>
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  <item itemId="9442" public="1" featured="0">
    <fileContainer>
      <file fileId="11326">
        <src>https://apps.lib.umich.edu/online-exhibits/files/original/e001a07fab0cdf4dd0f81683e0beb749.jpeg</src>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="152310">
                <text>Alexandros Ypsilantis crosses the river Pruth into the Danubian Principalities</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Ypsilantis</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="152314">
                <text>Peter von Hess</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="152316">
                <text>Benaki Museum, Athens</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>19th century</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="152320">
                <text>Painting</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="152322">
                <text>Painting</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="152704">
                <text>This painting by Peter von Hess shows Alexandros Ypsilantis (Greek: Αλέξανδρος Υψηλάντης), a Greek officer in the tsar’s army, crossing the river Pruth with his men to enter the Ottomans’ Danubian Principalities in February 1821. He is depicted wearing the all-black dress of his revolutionary army, the Sacred Band (Greek: Ἱερὸς Λόχος), and carrying the unit’s flag as he steps off of a canoe and onto the land. </text>
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