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                <text>&lt;em&gt;The Window,&lt;/em&gt; painting by Afifa Aleiby</text>
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                <text>&lt;span&gt;al-ʻĪbī, ʻAfīfah, 1952-&lt;/span&gt;&lt;br /&gt;&lt;span&gt;عفيفة العيبي&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Afifa Aleiby&lt;/span&gt;</text>
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                <text>&lt;a href="https://www.afifaaleiby.com/"&gt;Afifa Aleiby – Official website of Iraqi painter Afifa Aleiby&lt;/a&gt;</text>
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                <text>&lt;a href="https://www.afifaaleiby.com/"&gt;Afifa Aleiby – Official website of Iraqi painter Afifa Aleiby&lt;/a&gt;</text>
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                <text>Al-Tawil, Hashim&#13;
هاشم الطويل&#13;
Hashim Al-Tawil (1952-)</text>
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                <text>&lt;a href="https://www.hashimaltawil.com/"&gt;Hashim Al-Tawil هاشم الطويل Visual artist - Art historian&lt;/a&gt;</text>
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                <text>&lt;span&gt;Malallah, Hanaa’&lt;/span&gt;&lt;br /&gt;&lt;span&gt;هناء مال الله&lt;/span&gt;&lt;br /&gt;&lt;span class="wixui-rich-text__text"&gt;Hanaa Malallah&lt;/span&gt;&lt;span&gt; (1958-) &lt;/span&gt;&lt;br /&gt;&lt;span&gt;Hanāʼ Mālallāh&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Hanaa Malallah &lt;/span&gt;&lt;br /&gt;&lt;span&gt;Hana Malallah&lt;/span&gt;</text>
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                <text>plates following p.118 in &lt;em&gt;We are Iraqis: Aesthetics and Politics in a Time of War&lt;/em&gt;, edited by Nadje Al-Ali and Deborah Al-Najjar. Syracuse, NY: Syracuse University Press, 2013 (&lt;span style="font-weight:400;"&gt;NX180 .P64 W3 2013&lt;/span&gt; &lt;a href="https://search.lib.umich.edu/catalog/record/990123033310106381"&gt;catalog record&lt;/a&gt;)</text>
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                <text>Another example of the artist's &lt;a href="https://www.hanaa-malallah.com/copy-of-numbers"&gt;"Ruins Technique."&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Featured among the plates of the edited volume, &lt;em&gt;We are Iraqis: Aesthetics and Politics in a Time of War, &lt;/em&gt;courtesy of the artist.</text>
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                <text>Dr. Mohammed Karim in his home studio in metro-Detroit</text>
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                <text>Post to the artist's Facebook account &lt;a href="https://www.facebook.com/photo/?fbid=965704698119219&amp;amp;set=ecnf.100040390924327"&gt;"Saad Altai" 23 March 2023&lt;/a&gt;</text>
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                <text>Iraqi artist Saʻd al-Ṭāʼī (1935-) stands with a large carpet replicating one of his oil paintings. Posted to the artist's Facebook account with the caption &lt;br /&gt;"&lt;span&gt;سجادة ١٤٠×٢١٥سم سمك ٢سم من صنع مشغل الميزان للنسيج الفني /عبد الله الأنصاري لإحدى لوحاتي الزيتية..سعد الطائي&lt;/span&gt;"</text>
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                <text>Ṭāʼī, Saʻd, 1935-&#13;
سعد الطائي&#13;
Saad Altai&#13;
Saad Al-Tai</text>
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                <text>Dr. Mohammed Karim in the Detroit area with artist Ghaleb al-Mansouri.</text>
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              <text>"IAAG &lt;br /&gt;Iraqi American Artists' Guild&lt;br /&gt;قلوبنا في العراق&lt;br /&gt;نقابة الفنانين العراقيين الأمريكيين&lt;br /&gt;المهرجان الأول&lt;br /&gt;اغسطس 2019&lt;br /&gt;ديترويت -- ميشيغان"</text>
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                <text>Cover of an exhibition pamphlet for the 2019 inaugural festival of the Iraqi American Artists' Guild.&lt;br /&gt;&lt;br /&gt;"IAAG  Iraqi American Artists' Guild - قلوبنا في العراق&lt;br /&gt; نقابة الفنانين العراقيين الأمريكيين - المهرجان الأول - اغسطس 2019 - ديترويت - ميشيغان"</text>
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                <text>2010</text>
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                <text>Private collection of Iraqi artist Dr. Mohammed Karim</text>
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                <text>Photograph of Dr. Mohammed Karim with visitors to an exhibition of his students' artwork at Choucha Camp (مخيم الشوشة), a transit camp for those fleeing into Tunisia from conflict in Libya.</text>
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                <text>&lt;em&gt;168:01,&lt;/em&gt; interactive installation by Wafaa Bilal</text>
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                <text>Bilal, Wafaa&lt;br /&gt;وفاء بلال&lt;br /&gt;Wafāʾ Bilāl</text>
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                <text>2016-present</text>
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                <text>"168:01," &lt;a href="http://wafaabilal.com/168h01s/"&gt;WafaaBilal.com&lt;/a&gt;</text>
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                <text>Wafaa Bilal's interactive installation of unadorned shelves of white, blank books ultimately invites visitors to contribute toward the purchase of books for Iraqi institutions whose collections suffered in the aftermath of the 2003 US-led invasion. As contributions are received, the white books are replaced with those purchased, and donors are invited to take one of the blank volumes. &lt;br /&gt;This image is from the 2016 installation at Esker Foundation, curated by Srimoyee Mitra. The exhibition was organized and circulated by the Art Gallery of Windsor. The interactive installation has since travelled to the Arab American National Museum, Liverpool Arab Arts Festival, Confederation Centre of the Arts, New Orleans Museum of Art, and House of Wisdom in Sharjah.</text>
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                <text>2016 The Esker Foundation Calgary, CA</text>
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                <text>N.P. Krishna Kumar, &lt;a href="https://english.alarabiya.net/life-style/art-and-culture/2020/12/23/-168-01-by-Wafaa-Bilal-A-monument-to-staggering-cultural-loss-in-Iraq-and-potential"&gt;"‘168:01’ by Wafaa Bilal: Monument to Iraq’s staggering cultural loss and its recovery"&lt;/a&gt; &lt;em&gt;Al Arabiya English&lt;/em&gt; 24 December 2020</text>
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