15 10 2728 https://apps.lib.umich.edu/online-exhibits/files/original/fa492f9e30d8349af09b7b1cac15e47e.jpg 8cdc64ac5f4471c221c4d88eca6205f4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Code of Presence: Belarusian Protest Embroideries and Textile Patterns Contributor An entity responsible for making contributions to the resource Jamie Vander Broek, Brendan Nieubuurt, Sasha Razor Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sun Will Shine In Our Window Description An account of the resource This digital artwork is part of a series of three images that form a group meditation and visualization exercise, part of Maroz's 2020 exhibition The Long Way Home at the National Center for Contemporary Arts in Minsk in June 2020. The participatory action invited people to come together in the gallery for an energy-cleansing ritual. The image depicts the sun juxtaposed against a digital textile grid. The title, The Sun Will Shine In Our Window, is a reference to a Belarusian publishing group that existed in Saint Petersburg, Russia, from 1906 to 1916. The title of the exhibition, The Long Way Home, alludes to the memoirs of prominent Belarusian writer Vasil Bykau (1924–2003). The project installation represented an allusion to the interior of a traditional house in the Polesia region, reflecting not only on the visual component of folk culture but also presenting a sacred knowledge channeled into the attributes of interior decoration and the everyday, materializing the philosophy of home-creation and the organization of the living space. Creator An entity primarily responsible for making the resource Masha Maroz Date A point or period of time associated with an event in the lifecycle of the resource 2020 Rights Information about rights held in and over the resource Masha Maroz Format The file format, physical medium, or dimensions of the resource Digital graphics Type The nature or genre of the resource Digital graphics https://apps.lib.umich.edu/online-exhibits/files/original/17ea1970971420340605520e4f1da630.jpeg bfa22bc3152aaddd782c1c2355f25187 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Code of Presence: Belarusian Protest Embroideries and Textile Patterns Contributor An entity responsible for making contributions to the resource Jamie Vander Broek, Brendan Nieubuurt, Sasha Razor Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Solidarity is Our Weapon Description An account of the resource Solidarity is Our Weapon [Salidarnast nasha zbroia] is part of a series called Exercise Books, in which the author has drawn slogans of the resistance in school notebooks with felt-pen in the style of cross stitch, thereby inscribing the 2020 protests into Belarusian history. This montage includes a reprographic architectural drawing of a factory by the artist’s grandfather, who was a Soviet-era architect. Creator An entity primarily responsible for making the resource Marina Naprushkina Source A related resource from which the described resource is derived https://cultprotest.me/p/kxJptADj3e9raGewRFxk Date A point or period of time associated with an event in the lifecycle of the resource 2020 Rights Information about rights held in and over the resource Marina Naprushkina Format The file format, physical medium, or dimensions of the resource Paper and felt-tip pen Type The nature or genre of the resource Mixed media https://apps.lib.umich.edu/online-exhibits/files/original/e5024285151cbc63da65d55658221f7f.jpeg 940b60ab8b65731c7d1b92bf8663fd1d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Code of Presence: Belarusian Protest Embroideries and Textile Patterns Contributor An entity responsible for making contributions to the resource Jamie Vander Broek, Brendan Nieubuurt, Sasha Razor Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Strike Description An account of the resource Strike [Zabastovka] is part of a series called Exercise Books, in which the author has drawn slogans of the resistance in school notebooks with felt-tip pens in the style of cross stitch, thereby inscribing the 2020 protests into Belarusian history. Creator An entity primarily responsible for making the resource Marina Naprushkina Source A related resource from which the described resource is derived https://cultprotest.me/p/BbMahISg8fjR0PeP8f4n Date A point or period of time associated with an event in the lifecycle of the resource 2020 Rights Information about rights held in and over the resource Marina Naprushkina Format The file format, physical medium, or dimensions of the resource Paper and felt-tip pen Type The nature or genre of the resource Mixed media https://apps.lib.umich.edu/online-exhibits/files/original/419cb562206faff120b25d19b0440138.jpeg a8b96c0f51d11f23bf2027fb4d72f3a1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Code of Presence: Belarusian Protest Embroideries and Textile Patterns Contributor An entity responsible for making contributions to the resource Jamie Vander Broek, Brendan Nieubuurt, Sasha Razor Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Join Us! Description An account of the resource Join us! [Daluchaisia!], part of a series called Exercise Books, in which the author has drawn slogans of the resistance in school notebooks with felt-tip pens in the style of cross stitch, thereby inscribing the 2020 protests into Belarusian history. Creator An entity primarily responsible for making the resource Marina Naprushkina Source A related resource from which the described resource is derived https://cultprotest.me/p/rovYbHTYkYCNsZCjagnC Date A point or period of time associated with an event in the lifecycle of the resource 2020 Rights Information about rights held in and over the resource Marina Naprushkina Format The file format, physical medium, or dimensions of the resource Paper and felt-tip pen Type The nature or genre of the resource Mixed media https://apps.lib.umich.edu/online-exhibits/files/original/3c6240aa51c14b68252a645c072e1b41.jpg 8514cf752cef83dc9a0072d3995af5f6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Code of Presence: Belarusian Protest Embroideries and Textile Patterns Contributor An entity responsible for making contributions to the resource Jamie Vander Broek, Brendan Nieubuurt, Sasha Razor Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource fragment of Whosoever Liveth and Believeth in Me Shall Never Die Description An account of the resource Whosoever Liveth and Believeth in Me Shall Never Die (2020-2021) is Palianina’s group embroidery project that was unveiled to the public at the exhibition When Shapes Become Shadows (2021), curated by Ilona Dergach. This exhibition took place in Krynki, Poland, on August 27, 2021. In this four-meter canvas, artist Vasilisa Palianina ironically explores the imaginary agrarian myth that holds that Belarus was born from the potato root and cultivated as the embodiment of the patient peasant class. The project's participants include the following artists and activists: Mariam Astryam, Sasha Dorskaya, Sashen Galerik, Kristina Brukshpyn, Polina Siriska, Katerina Itnashevich, Anna Kruk, Ulyana Dulkina, Tatiana Karpacheva, Masha Maroz, Ira J, Tasha Katsuba, and Aleksandra Osipovich. This particular embroidery fragment features the following Belarusian language inscription: “Patria, Patriarch, grate these potatoes,” –– exploring the homonymic similarity between the Belarusian verb pateret’ [to grate] with the Latinate variants of the noun patria. Creator An entity primarily responsible for making the resource Vasilisa Palianina Date A point or period of time associated with an event in the lifecycle of the resource 2020–2021 Rights Information about rights held in and over the resource Vasilisa Palianina Format The file format, physical medium, or dimensions of the resource Embroidered canvas Type The nature or genre of the resource Embroidery https://apps.lib.umich.edu/online-exhibits/files/original/a17d01bfeaada7f9be91249a3a128e95.jpg 1bcb59a2761d3984849f44c22c7e650c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Code of Presence: Belarusian Protest Embroideries and Textile Patterns Contributor An entity responsible for making contributions to the resource Jamie Vander Broek, Brendan Nieubuurt, Sasha Razor Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Whosoever Liveth and Believeth in Me Shall Never Die Description An account of the resource Whosoever Liveth and Believeth in Me Shall Never Die (2020-2021) is Palianina’s group embroidery project that was unveiled to the public at the exhibition When Shapes Become Shadows (2021), curated by Ilona Dergach. The exhibition took place in Krynki, Poland, on August 27, 2021. In the current political environment of Belarus, the medium of embroidery speaks to the advent of the collective female subject in the protest movement of Summer-Fall 2020. In this four-meter canvas, artist Vasilisa Palianina humorously explores the imaginary agrarian myth that holds that Belarus was born from the potato root and cultivated as the embodiment of the patient peasant class. The project's participants include the following individuals: Mariam Astryam, Sasha Dorskaya, Sashen Galerik, Kristina Brukshpyn, Polina Siriska, Katerina Itnashevich, Anna Kruk, Ulyana Dulkina, Tatiana Karpacheva, Masha Maroz, Ira J, Tasha Katsuba, and Aleksandra Osipovich. Curator Ilona Dergach describes collective embroidery labor as a form of group trance and psychotherapy. Creator An entity primarily responsible for making the resource Vasilisa Palianina Date A point or period of time associated with an event in the lifecycle of the resource 2020–2021 Rights Information about rights held in and over the resource Vasilisa Palianina Format The file format, physical medium, or dimensions of the resource Embroidered canvas Type The nature or genre of the resource Embroidery https://apps.lib.umich.edu/online-exhibits/files/original/87098564de4644ee60ffde36f1517bdd.jpeg ffd63ca900bacb626527489e8df0f674 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Code of Presence: Belarusian Protest Embroideries and Textile Patterns Contributor An entity responsible for making contributions to the resource Jamie Vander Broek, Brendan Nieubuurt, Sasha Razor Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource fragment of Zastolle Description An account of the resource The Zastolle project is a reflection and documentation of social and political processes in Belarus, performed by ДЮ (DY), a multimedia artist-duo of Belarus-born artists Daria Sazanovich and Yuliya Tsviatkova. The work refers to the traditional Slavic feast, which is “attended” by various representatives of Belarusian society, from repressed students to policemen. The Zastolle performance took place at the Bremen-based platform aRaum on September 23–29, 2021. This fragment of the Zastolle performance features some of the most recognizable symbols of the Belarusian protests of 2020. The torn passport is a direct reference to the brave action of Belarusian female political leader Maria Kolesnikova, who tore her passport after being kidnapped and taken to the Ukrainian border in September 2020. The blue hand is an allusion to a saying by Belarusian dictator Alexander Lukashenka, who famously quipped that he was not going to hold onto power with his blue fingers, a common side effect of a medical condition known as peripheral cyanosis Creator An entity primarily responsible for making the resource ДЮ (DY) Date A point or period of time associated with an event in the lifecycle of the resource 2021 Rights Information about rights held in and over the resource ДЮ (DY) Format The file format, physical medium, or dimensions of the resource Action Type The nature or genre of the resource Embroidery https://apps.lib.umich.edu/online-exhibits/files/original/89643d1291ce32bd9070af5e561419c5.jpg 1c6d47f63728dfae433b668591b1f034 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Code of Presence: Belarusian Protest Embroideries and Textile Patterns Contributor An entity responsible for making contributions to the resource Jamie Vander Broek, Brendan Nieubuurt, Sasha Razor Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zastolle Description An account of the resource The Zastolle project is a reflection and documentation of social and political processes in Belarus, performed by ДЮ (DY), a multimedia artist-duo of Belarus-born artists Daria Sazanovich and Yuliya Tsviatkova. The work refers to the traditional Slavic feast, which is “attended” by various representatives of Belarusian society, from repressed students to policemen. Communication among these groups of people is represented by visual symbols sewn into the fabric. The primitive crafts aesthetic of the textile piece resonates with a desperate state of inability to counteract violence. The Zastolle performance took place at the Bremen-based platform aRaum on September 23–29, 2021. Creator An entity primarily responsible for making the resource ДЮ (DY) Date A point or period of time associated with an event in the lifecycle of the resource 2021 Rights Information about rights held in and over the resource ДЮ (DY) Format The file format, physical medium, or dimensions of the resource Action Type The nature or genre of the resource Embroidery https://apps.lib.umich.edu/online-exhibits/files/original/a6255bc59be2c555a70f5aadfc6b99af.jpg ea72dd1ce98131ebe0f81a1e92556896 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Code of Presence: Belarusian Protest Embroideries and Textile Patterns Contributor An entity responsible for making contributions to the resource Jamie Vander Broek, Brendan Nieubuurt, Sasha Razor Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tomorrow is Every Day Description An account of the resource Tomorrow Is Every Day [#zaUtrakozhnydzen’]is an anonymous group needlework project started by the Ў Gallery of Contemporary Art in Minsk as a sort of communal art therapy project, where anyone was welcome to stop by and contribute. This closeup highlights the use of Belarus’s traditional embroidery material, linen and red thread, and Belarus’s women in white with flowers. The fragment depicts the Women in White’s very first action, when they appeared in front of the Kamarouskii market in Minsk on Aug. 12, 2020. The embroidered inscription says: “Kamarousky Market / Welcome.” Photographer: Viktoryia Kharytonava. Creator An entity primarily responsible for making the resource Anonymous Date A point or period of time associated with an event in the lifecycle of the resource 2020 Rights Information about rights held in and over the resource Ambasada Kultury Format The file format, physical medium, or dimensions of the resource Embroidered canvas Type The nature or genre of the resource Embroidery https://apps.lib.umich.edu/online-exhibits/files/original/2b10ebbcf0ae156e8eadd14a4688636b.jpg a7936151a68c1044ce7a5a43e961eb65 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Code of Presence: Belarusian Protest Embroideries and Textile Patterns Contributor An entity responsible for making contributions to the resource Jamie Vander Broek, Brendan Nieubuurt, Sasha Razor Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tomorrow is Every Day Description An account of the resource Tomorrow Is Every Day [#zaUtrakozhnydzen’]is an anonymous group needlework project started by the Ў Gallery of Contemporary Art in Minsk as a sort of communal art therapy project, where anyone was welcome to stop by and contribute. This closeup highlights the use of Belarus’s traditional embroidery material, linen and red thread, and Belarus’s women in white with flowers. The fragment depicts the Women in White’s very first action, when they appeared in front of the Kamarouskii market in Minsk on Aug. 12, 2020. The embroidered inscription says: “Kamarousky Market / Welcome.” Photographer: Viktoryia Kharytonava. Creator An entity primarily responsible for making the resource Anonymous Date A point or period of time associated with an event in the lifecycle of the resource 2020 Rights Information about rights held in and over the resource Ambasada Kultury Format The file format, physical medium, or dimensions of the resource Embroidered canvas Type The nature or genre of the resource Embroidery