14 10 2728 https://apps.lib.umich.edu/online-exhibits/files/original/10a3901f6993a254f6a4f1fad32c675b.jpg 4d6c9dec34295e5feea938775d1ba0fd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The 24 Elders and Non-Representational Sculptural Details, Negative JC055607 Description An account of the resource A sculptural detail of two seated men surrounded by decorative relief designs Creator An entity primarily responsible for making the resource John B. Cameron Source A related resource from which the described resource is derived John B. Cameron Photographs of Romanesque Sculpture, Special Collections, Art, Architecture and Engineering Library, University of Michigan Date A point or period of time associated with an event in the lifecycle of the resource 1960s Rights Information about rights held in and over the resource Art, Architecture, and Engineering Library Format The file format, physical medium, or dimensions of the resource JPEG https://apps.lib.umich.edu/online-exhibits/files/original/3bcdcae1519e1bd006d84241310ed4fa.jpg 0e6fa291dbbc27ad40264bd92d5f89ac Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The 24 Elders and the "Sea of Glass," Negative JC055603 Description An account of the resource A sculptural detail of four men looking up from underneath an exaggerated wavy relief design Creator An entity primarily responsible for making the resource John B. Cameron Source A related resource from which the described resource is derived John B. Cameron Photographs of Romanesque Sculpture, Special Collections, Art, Architecture and Engineering Library, University of Michigan Date A point or period of time associated with an event in the lifecycle of the resource 1960s Rights Information about rights held in and over the resource Art, Architecture, and Engineering Library Format The file format, physical medium, or dimensions of the resource JPEG https://apps.lib.umich.edu/online-exhibits/files/original/07578473d042757da0528cbde6e017c8.jpg 12dfbf07879bd02464a07a988ffe5f49 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Angel with Scroll, Negative JC055608 Description An account of the resource A sculptural detail of an angel holding a scroll Creator An entity primarily responsible for making the resource John B. Cameron Source A related resource from which the described resource is derived John B. Cameron Photographs of Romanesque Sculpture, Special Collections, Art, Architecture and Engineering Library, University of Michigan Date A point or period of time associated with an event in the lifecycle of the resource 1960s Rights Information about rights held in and over the resource Art, Architecture, and Engineering Library Format The file format, physical medium, or dimensions of the resource JPEG https://apps.lib.umich.edu/online-exhibits/files/original/54adf7aa012444471206453d0e892bd5.jpg 76b21d82f53d8d619a1a211f8cfd4e04 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Christ and Two Evangelical Beasts, Negative JC055610 Description An account of the resource A sculptural detail of Christ flanked by an angel and an eagle Creator An entity primarily responsible for making the resource John B. Cameron Source A related resource from which the described resource is derived John B. Cameron Photographs of Romanesque Sculpture, Special Collections, Art, Architecture and Engineering Library, University of Michigan Date A point or period of time associated with an event in the lifecycle of the resource 1960s Relation A related resource John B. Cameron Format The file format, physical medium, or dimensions of the resource JPEG https://apps.lib.umich.edu/online-exhibits/files/original/304ba73abfc3b9c94fa8f642de402cb0.jpeg 15ce59a787e411e7bfa24da939329904 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Code of Presence: Belarusian Protest Embroideries and Textile Patterns Contributor An entity responsible for making contributions to the resource Jamie Vander Broek, Brendan Nieubuurt, Sasha Razor Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The History of Belarusian Vyzhyvanka Description An account of the resource This machine embroidery combines and unites the body of digital artwork made by Rufina Bazlova in her cycle The History of Belarusian Vyzhyvanka (2020–2021), which uses the traditional folk embroidery medium to depict the ongoing peaceful protests in Belarus, the artist’s home country. Each tableau corresponds to an actual event during the Summer–Winter of 2020. Vyzhyvanka is a pun combining two Belarusian words, “embroidery” and “survival.” Vyshyvanka means “embroidered shirt.” Vyzhyvats' means “to survive.” This artwork was first exhibited as a part of the Every Day. Art. Solidarity. Resistance exhibition which took place in Kyiv’s Mystetskyi Arsenal from March 26–June 8, 2021. It was later exhibited as a part of Belarus––Sceams of the Silenced exhibition at Haage’s Grey Space in the Middle from August 7–August 18, 2021. Creator An entity primarily responsible for making the resource Rufina Bazlova Date A point or period of time associated with an event in the lifecycle of the resource 2020–2021 Rights Information about rights held in and over the resource Rufina Bazlova Format The file format, physical medium, or dimensions of the resource Embroidered canvas Type The nature or genre of the resource Embroidery https://apps.lib.umich.edu/online-exhibits/files/original/a3d4de3057255a6fa4a26ebdbeb0850a.jpeg 04a191497b49edde2e97975e5bddd60f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Code of Presence: Belarusian Protest Embroideries and Textile Patterns Contributor An entity responsible for making contributions to the resource Jamie Vander Broek, Brendan Nieubuurt, Sasha Razor Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Female Solidarity Description An account of the resource Image from Rufina Bazlova’s series entitled The History of Belarusian Vyzhyvanka, which uses the traditional folk embroidery medium to depict the ongoing peaceful protests in Belarus, the artist’s home country. Each tableau corresponds to an actual event during the Summer–Winter of 2020. Vyzhyvanka is a pun combining two Belarusian words, “embroidery” and “survival.” Vyshyvanka means “embroidered shirt.” Vyzhyvats' means “to survive.” On August 12, 2020, Belarusian women spontaneously took to the streets in large numbers calling for an end to state violence, forming solidarity chains and gathering across the country. Self-organizing in Telegram chats, they chose to dress in white, the traditional color of women’s suffrage. Hence, the “Women in White” movement was born. From August to October 2020, Belarusian women continued to participate in weekly Saturday marches, clashing with the police and breaking through police lines. All in all, there were four Saturday marches: the “Women’s Grand March for Freedom” on August 29; “The Loudest March. Women March for Women on September 12; “The March of Sparkles” on September 19, which resulted in 400 detentions; and the “Démarche against Political Repressions” that took place on October 10. With the escalation of police violence against women, these massive marches subsided, while smaller decentralized forms of protest persisted. Creator An entity primarily responsible for making the resource Rufina Bazlova Date A point or period of time associated with an event in the lifecycle of the resource 2020 Rights Information about rights held in and over the resource Rufina Bazlova Format The file format, physical medium, or dimensions of the resource Digital graphics Type The nature or genre of the resource Digital graphics https://apps.lib.umich.edu/online-exhibits/files/original/840b06e4a84a7a3bea9b435c2aa79ef3.jpeg 9e65b6f020161d32597e237e6fb0ae04 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Code of Presence: Belarusian Protest Embroideries and Textile Patterns Contributor An entity responsible for making contributions to the resource Jamie Vander Broek, Brendan Nieubuurt, Sasha Razor Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Solidarity with Salihorsk Description An account of the resource Image from Rufina Bazlova’s series entitled The History of Belarusian Vyzhyvanka, which uses the traditional folk embroidery medium to depict the ongoing peaceful protests in Belarus, the artist’s home country. Each tableau corresponds to an actual event during the Summer–Winter of 2020. Vyzhyvanka is a pun combining two Belarusian words, “embroidery” and “survival.” Vyshyvanka means “embroidered shirt.” Vyzhyvats' means “to survive.” Based in the city of Salihorsk in the southern Minsk region, the Belaruskali Factory specializes in the production of potash. Its workers went on strike during the first days of the revolution, thus halting the mining. In the picture, they are burying a cockroach—a metaphor for Aliaksandr Lukashenka used by blogger Siarhei Tsikhanousky in his election campaign. Tsikhanousky also made a slipper (the folk weapon for killing cockroaches) a symbol of his campaign. Creator An entity primarily responsible for making the resource Rufina Bazlova Source A related resource from which the described resource is derived https://www.instagram.com/p/CE-FUtnHkZv/ Date A point or period of time associated with an event in the lifecycle of the resource 2020 Rights Information about rights held in and over the resource Rufina Bazlova Format The file format, physical medium, or dimensions of the resource Digital graphics Type The nature or genre of the resource Digital graphics https://apps.lib.umich.edu/online-exhibits/files/original/3e582ff335b9d99955d46e9bdcdb9ead.jpg ee6df008629ec40740bc9f15b2fff3c1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Code of Presence: Belarusian Protest Embroideries and Textile Patterns Contributor An entity responsible for making contributions to the resource Jamie Vander Broek, Brendan Nieubuurt, Sasha Razor Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource opening reception of The Voices of Belarus. Chapter Two: Restoring Connections (2021) Description An account of the resource The second edition of 555 cards for the Postcards of Solidarity were made with Masha Maroz and Sasha Kulak, at the group show Voices of Belarus. Chapter Two: Restoring Connections at Punt WG, Amsterdam, July 2021 (photographer Sasha Kulak). Image from the opening event with enchanting music performance by Fuensanta Méndez. Creator An entity primarily responsible for making the resource Da(r)sha Golova Date A point or period of time associated with an event in the lifecycle of the resource 2021 Rights Information about rights held in and over the resource Da(r)sha Golova Format The file format, physical medium, or dimensions of the resource Digital photograph Type The nature or genre of the resource Digital photograph https://apps.lib.umich.edu/online-exhibits/files/original/c48bcc5a5b797b5fea21d82fb3068f54.jpg 8f77d6dbbc4af86b0337da9675eb15cb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Code of Presence: Belarusian Protest Embroideries and Textile Patterns Contributor An entity responsible for making contributions to the resource Jamie Vander Broek, Brendan Nieubuurt, Sasha Razor Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Postcards of Solidarity (Second Edition) Description An account of the resource A scanned selection of postcards destined for Belarusian political prisoners. The trio screen printed traditional textile designs based on Maroz’s research in Belarus's southern Polesia region onto stamped commercially-made postcards addressed to political prisoners and invited the public to take a postcard and write a message of support for those jailed in opposition to the August 2020 elections. The project was presented at a number of venues in the Netherlands. The first edition of 260 cards for the Postcards of Solidarity project were made together with Masha Maroz and Artemiy Sei, at the group show Voices Of Belarus at the Glass Pavilion in Amsterdam, April 2021. The second edition of 555 cards for the Postcards of Solidarity project were made with Masha Maroz and Sasha Kulak, at the group show Voices of Belarus. Chapter Two: Restoring Connections at Punt WG, Amsterdam, July 2021 (photographer Sasha Kulak). Creator An entity primarily responsible for making the resource Da(r)sha Golova Date A point or period of time associated with an event in the lifecycle of the resource 2021 Rights Information about rights held in and over the resource Da(r)sha Golova Format The file format, physical medium, or dimensions of the resource Screen-printed postcards Type The nature or genre of the resource Screen printing https://apps.lib.umich.edu/online-exhibits/files/original/3f2c2bec5e4e626b87b52755c3ce813d.jpg fff6025bd6f711889f1b5c7618a1ff0e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Code of Presence: Belarusian Protest Embroideries and Textile Patterns Contributor An entity responsible for making contributions to the resource Jamie Vander Broek, Brendan Nieubuurt, Sasha Razor Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Description An account of the resource This digital artwork was part of Maroz’s 2020 exhibition The Long Way Home at the National Center for Contemporary Arts in Minsk, which focused on the influence of social and ideological norms of modern Belarus and specifically the heritage of traditional Belarusian culture and collective memory. The image represents a woman caught up in a digital grid of what appear to be jail bars, while the marks on the right represent the common counting practice of sets of fives. The exhibition, which ran during the 2020 election season, was closed early in protest by the artist shortly after 9 August 2020. The title of the exhibition, The Long Way Home, alludes to the memoirs of prominent Belarusian writer Vasil Bykau (1924–2003). The project installation represented an allusion to the interior of a traditional house in the Polesia region, reflecting not only on the visual component of folk culture but also presenting a sacred knowledge channeled into the attributes of interior decoration and the everyday, materializing the philosophy of home-creation and the organization of the living space. Creator An entity primarily responsible for making the resource Masha Maroz Date A point or period of time associated with an event in the lifecycle of the resource 2020 Rights Information about rights held in and over the resource Masha Maroz Format The file format, physical medium, or dimensions of the resource Digital graphics Type The nature or genre of the resource Digital graphics