The Special Collections Research Center announces a new exhibit, Other Crusoes, Other Islands: Mapping a Complex Legacy. On the 300th anniversary of the publication of The Life and Surprising Adventures of Robinson Crusoe, of York, Mariner, this exhibit interrogates the troubled legacy of Daniel Defoe’s seminal English novel. It also explores how creators have pushed back against the colonialist, hyper-masculine, and racist ethos of the text by using the castaway narrative to explore self-...
The Special Collections Research Center is pleased to announce a new exhibit, Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920. This exhibit was curated by Kayla Grant, PhD candidate in English literature.
The Special Collections Research Center is thrilled to announce the opening of our latest exhibit, “A Revolution Worth Having: Emma Goldman at 150,” on view from June 3rd to August 1st. This exhibit pays tribute to one of the most distinctive figures represented in our collection, and is dedicated to the memory of the friends and comrades who have nourished and sustained the relationship between Emma and the Labadie Collection over the years.
The Special Collections Research Center is pleased to announce the opening of a new exhibit, Divide & Clothe: Illustrating Fashion in Nineteenth-Century Europe. The exhibit was curated by Isabelle Gillet and Courtney Wilder, two PhD candidates in History of Art. Please join us at 4:30pm on Tuesday, June 11 for a lecture and reception in the Hatcher Gallery.
How did prominent east coast poets like Allen Ginsberg, Ted Berrigan, and Anne Waldman end up contributing their work to The Alternative Press, a small press based in Michigan? It all started with John Sinclair.
Join filmmaker Nancy Savoca at a symposium celebrating her career on Friday, May 10. The symposium will include several panels, an exhibit opening, and film screenings.
What would you do with 500 blank postcards? For contributors to The Alternative Press, the answers varied. Some hand-wrote poetry on their cards. Some made images--by painting, drawing, collaging, or pasting photographs onto paper. Some embraced the postcard format, while others challenged it--for example, Carol Steen made all of her postcards in brass, a playful take on the form you could never actually use them to mail a message to a friend.
